The Release of a Film:
- Consider the 'marketability' of the film ie: the target audience (who is the intended audience of the film?)
- Ad campaigns - must target specific members of audience
- Marketing budget
- Box office potential (how well can the film do in the box office?)
- Promotion channels ie: the internet, radio, magazines, TV (actors & directors interviews etc)
- Define the audience (teenagers? adults?) & genre (comedy? horror?) of the film
- Specialised films are directed at 'cine-literate' audiences
- Crucial when making a film to establish what type of film it is and who it is for
- Research is done to find out how to focus on T.A ie: where to advertise, depending on who the audience is
- Eg: teenagers are most likely to see adverts for films on the net or outdoors, whereas older people may see them on TV etc
- Set budget, therefore advertise to optimum efficiency
- Enormous amount of competition - you need to stand out from all the other films out there (why would people come to see your film over others?)
- Weather plays a key part in advertising - during August, adverts should be placed outdoors, when most people are out; adverts on TV when the weather gets colder etc.
- Holidays often see an increase in cinema activity amongst youngsters ie: October half-term, poor weather, dark therefore more children may choose to visit the cinema
- Covers cost of actual film prints, and its shipping
- Ad costs - posters, TV spots, trailers at cinemas, radio
- Budget is set to target certain markets
- Most important form of advertising
- Can build/destroy the 'life' of a movie at a cinema (negative WoM can be very hard to overcome)
- Free advance screenings help people spread the word to friends
- More effective than ads in papers etc
- Advertising - TV, radio, billboards, magazines, internet, posters (can be rather expensive)
- Press - interview actors or directors, put stories of the film into magazines (cheaper than other form of advertising)
- Word of mouth - free advertising, most effective way is to test screen the film
- Personal recommendation from a friend or relative can be the most powerful trigger for a trip to the cinema
- Essential for the public - first and only exposure of the film in the cinema
- Graphics, sounds and overall concept of the film need to be portrayed efficiently
- Needs to get the intended message across and grab the audience's interest
- Firstly convince exhibitors to take the film
- Find somewhere to 'put it'
- Creating a video, game, quiz etc which gets sent to someone; and if it is good enough, will then pass it on (on-going chain)
- Very simple but not as effective as other types of marketing (WoM for example)
- Research poster ideas, trailers, film concepts etc
- Check visuals and graphics meet audience's expectations
- Recruited audiences test screen final production
- Questionnaires and focus groups carried out to find out what the public thought
- Films can be edited after feedback
- Convincing exhibitors and cinemas to take the film and show it at their multiplex
- Need to be able to sell the film to the cinemas
- Highly important for the future of the film
- 3 day figure - Opening day (Friday) and following two days (Sat&Sun) figures are considered
- Monday morning - 'make or break' the film (determine how long the film will stay in cinemas)
- If the film has not produced enough money at the end of the 3 days it won't be in cinemas for very long - 'Holdover'
- 2006 - piracy accounted for 20% of all DVD sales in UK
- Inferior quality
- People buying pirate copies may not be aware of other criminal activities that their money goes to
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